Creating a true
visual impression of
Africa at its finest
Distell
A story by
Matthias Vollherbst
Collaboration with
Distell and Just Design
since 2004
When packaging specialists from South African wine and spirits company, Distell, discovered Vollherbst Labels at a packaging show in Germany, they were “blown away by the quality” of their work. Years later, when the opportunity arose to redesign South Africa’s first commercial single grain whisky, Bain’s Cape Mountain Whisky (Bain’s), Vollherbst Labels were again front of mind to lead this important print and labelling project.
Step 01
Brand & Personality
The small
premium brand
Bain’s Whisky is made at the James Sedgwick Distillery, the first, and only, commercial whisky distillery in Africa. Launched in 2009, it is a quintessentially South African brand, made with 100% South African maize. No stranger to awards, this brand has picked up over 30 gold awards and higher since launch including twice being named as the World’s Best Grain Whisky at the 2013 and 2018 World Whiskies Awards. Founder Distiller Andy Watts and the distillery itself are also globally renowned currently holding the titles of World Whisky Brand Ambassador of the Year and Sustainable Distillery of the Year and at the 2020 Icons of Whisky Awards, held by Whisky Magazine in London.
Although quality and awards place it at the forefront of innovation, the brand is still ‘small’ when compared to other ‘Goliath’ whisky brands available in South Africa – a situation the team at Bain’s wanted to challenge head-on with labels that effectively communicated the brand’s premium equity and gravitas.
Step 02
Challenge
The relaunch of the Leopard
In 2017, Bain’s packaging was optimised to reflect a brand of substance. Packaging experts Just Design designed a restructured wrap-around label that gave prominence to the brand’s unique aspects, which now showcased the endemic mountain leopard as a single headshot. While a single label, it includes two distinct parts: Bain’s Cape Mountain Whisky is highlighted against a black background, with further whisky cues provided on the white surface underneath. Initially the hope was for these two parts to also be printed on two different paper types: an uncoated paper with a tactile feel for the white part, and a different material with a leather-like feel for the top, black surface – a goal which would both be difficult to achieve, and costly.
“We were considering all our touch-points,” said Dino D’Araujo, Distell’s Spirits Category Manager,“and modernisation and premiumisation developed as key elements we wanted to deliver on.” He adds: “We looked at what we needed to keep, what was important to the consumer and what was important to the brand and started there. The biggest challenge we had was with the leopard head and how we could modernise him to create an ownable asset for the brand.”
Important was to highlight the brand’s single grain whisky qualities (it being the only single grain commercially available in SA), as a key differentiator versus other whiskies available on the market. The challenge was put to Vollherbst: “We needed to distinguish this label and our pack from the rest of the whisky packs on shelf in a big way to showcase that premium South African whisky can stand proud next to brands with hundreds of years of history. We also wanted to enhance the unique elements of the design highlighting key selling points to attract new consumers.”
I really appreciated the expertise they added to the designs. It showed that they really thought about the label and what it needed to achieve our goals – and they brought out the best!
Marlene Lesch
Distell
Leather-like feel
in texture and color
Step 03
Solution
Imitation of the leather-like feel
Vollherbst Labels were called in as the labelling and print partners to add form and function to the new designs. When confronted with the first challenge – the combined paper stocks – the team at Vollherbst knew exactly what to do. “While the combined papers stocks was not impossible for us to do, it would have significantly pushed up the costs on this project,” reveals Matthias Vollherbst, CEO of Vollherbst Labels “we therefore suggested they use the same material as base, but blind emboss the paper to create the desired texture and colour that would emulate the leather-like feel they were after. This, structured embossing solution, was a technically demanding but less expensive option”.
Print information
- Material: Cotton Touch
- Finishing: Hotfoil Gold/ Silver/ Smoke Red, Emboss, Varnish
The labels also included multiple embellishments as brand touch-points: apart from the structured embossing, there was gold foiling and embossing, spot red foiling, blind embossing, silver foiling and high-build varnish. To avoid the risk of misprints, and to be as cost efficient as possible - in spite of the complexity of the label - Vollherbst could ensure that all these embellishments (six in total!) were added in no more than two print runs!
“The design evolved over time, but we weren't willing to compromise on finishes and paper. Vollherbst Labels’ quest for quality and our packaging specialists ensured we had the best materials available to us,” recalled Marlene Lesch, Distell’s Spirits Packaging Specialist.
Step 04
Personal Touch
The cooperation -
a pleasure on all sides
Navigating challenges on this ambitious project was a breeze with Vollherbst looking at the finer print and labelling tasks: “Their ability to take a design and add the extra level of complexity solved any, and all, issues,” said Marlene, “in this case adding the textured leopard embossing on the black area of the label really helped to ‘lift’ the design. It further helped to land South Africa as a country that’s rich in textiles and substrates throughout many cultures. I really appreciated the expertise they added to the designs. It showed that they really thought about the label and what it needed to achieve our goals – and they brought out the best!”
Marlene added that distance posed no problem: “It was extremely easy! Regular visits from the team at Vollherbst Labels to Distell and lots of communication made this process a pleasure.”
Of course, the greatest feedback is the response from consumers, and this has been nothing but positive. Said Dino: “Our sales force tells us that the new packs are visually competing with the biggest premium whiskies in South Africa. At a glance the label also offers storytelling and intrigue, highlighting key selling points no other whisky brand can speak too. Lastly, the packs elicits a feeling of “if it looks this good, imagine what it tastes like” - we often do traditional whisky tastings and consumers drink with their eyes so this good looking pack is very inviting.”
Request project
We are happy
to advise you
Looking for inspiration? Have matching paper samples for this project sent to you via the wishlist or use the request assistant for an individual project inquiry.
Matthias
Vollherbst
Want more?
We recommend this project
The 'little black
dress' of labelling
Inverroche Distillery